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Blue Oyster Cult ~ I'm On The Lamb But I Ain't No Sheep


Canadian mounted baby, a police force that works Red and black, that's their color scheme Get their man, in the end It's all right, it's all right. Frontenac chateau baby I'll cross the frontier at ten Got a whip in my hand baby And a girl or a husky at leather's end It's all right, it's all right My lovely bel punice, you'd kill and you'd maim Hornswoop me bungo pony, dogsled on ice Make a dash for freedom baby, don't skate on polar ice It's to thick to be sliced by the light Of long and white polar nights It's all right, it's all right My lovely bel punice, you'd kill and you'd maim more free lyrics

Canadian mounted baby, a police force that works
Red and black, that's their color scheme
Get their man, in the end
It's all right, it's all right.

Frontenac chateau baby
I'll cross the frontier at ten
Got a whip in my hand baby
And a girl or a husky at leather's end
It's all right, it's all right
My lovely bel punice, you'd kill and you'd maim

Hornswoop me bungo pony, dogsled on ice
Make a dash for freedom baby, don't skate on polar ice
It's to thick to be sliced by the light
Of long and white polar nights
It's all right, it's all right
My lovely bel punice, you'd kill and you'd maim

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Globalized Sounds

Today, beautiful European and American music, an Afrobeats recorded in Lagos, can play in headphones in Tokyo; a South Korean idol group can fill an Argentine stadium to capacity. On Spotify, the playback volume of African music has increased by 500% in five years; K-pop has already transcended the Asian border and become a common language for young people all over the world; Latin music has consistently topped the streaming charts for several consecutive years. The world is getting smaller while the scope of music is expanding.

The Power of the Scene

When the lights dim and the first note is played, strangers become synchronized. The tremor when thousands sing together, and the melody that still echoes after the crowd disperses - this is an experience that no screen can convey. We look forward to the return of large-scale concerts to the essence of music, and we also look forward to small livehouses continuing to nourish the most vibrant soil of music.

Crossing Borders

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